Cuts · Mac & iPhone
So, um, I started making videos because I thought, like, I had something to say. ···0.6s It took me years to learn that the story is, you know, whatever survives the cut.
Cut the part where I said basically.
That's how everyone edits, in their head, before any app opens. Cuts makes that first cut real, on the Mac and on the iPhone, and nothing leaves the device.
01 · Two rooms, one desk
On the Mac the project's takes sit under it in the Library, and one header swaps the words for the hybrid or the timeline. On the phone the same three lenses are a swipe apart.
02 · The ums
Silences, fillers and retakes are found on the page before you read it. Flip a toggle: every one of them is struck at once, and every one can come back with a tap. This one is real.
In the beginning, it's so easy to compare yourself to everyone else. ···0.9s Um, to look at what they're doing and, like, feel that you're behind. ···0.5s I think— let me start over. ···0.4s I think the only thing that helped was, you know, making the next one.
Every removed word stays on the page, struck through, one tap from coming back.
03 · One surface
04 · Everything else
What the page can do once the cut is made. Every line is a fact you can check in the app, and none of it needs a keyframe.
05 · The register
Transcribed, cut and rendered where it was filmed. The transcription model and the language model ship inside the app. No account, no cloud, no analytics.
Works on a plane
06 · Why
Everyone thinks editing is cutting time. We think editing is choosing what matters. The timeline measures the clock. The sentence keeps the intent. You already edit in words. Now your video does too.
I'm a film director. I got tired of the timeline and went back to the sentence, and Cuts is that sentence, made executable.
Brenno Castro · São Paulo